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By Yashashree Sanap on 07/17/2020

Fled is that Music (Part II)

Enchantment, Imagery and the Aesthetics of Sound in the poetry of John Keats Music was seen as a medium through which an elevated state of consciousness could be attained. It bridged the gulf between the form and the formless through the use of imagination, and Keats uses this power of sound and music in his […]

By Martina Nicolls on 08/19/2020

For the Love of the Lyre

For the Love of the Lyre and the Lyricist Keats the Musical is an intriguing project by the composer Álvaro Nascimento Vieira; one which John Keats himself would enjoy because his poems were made for music. It may be argued that John Keats wasn’t a lyricist per se—a person who writes words for music—but this […]

By Will Sherwood on 11/03/2020

Oral Enchantment in Keats and Tolkien (Part II)

The Romantic Lyric Structure The answer lies in the structure of the Romantic lyric. Jack Stillinger identified that the lyrical poetry of Keats’s time followed a structure as identified in this diagram: The horizontal line represents the boundary between the real world (below) and the imaginary, or ideal, world (above). The ideal world is placed […]